Friday, May 17, 2013

Wow!

Big Sky - 9 x 12 inches - Pastel by Lynn Goldstein


I have been extremely remiss in posting to my blog for some time. I think that perhaps I was not sure which direction to take in my work after completing the installation piece, "Treatise." As a result of that concern, I have been wandering about a bit. I have made several paintings and I have explored mixed-media. I felt a bit like a kid at play in kindergarten working in mixed-media and will be doing more of that in the future. In the meantime, I am including a painting in pastel that I have recently completed.

This painting is an example of my more recent work exploring the landscape of Iceland. Iceland is an island of extreme contrasts. One thing remained the same during our visit there, the sky was always interesting and often magnificent. This painting was inspired by that gorgeous sky. The painting is 9 x 12 inches. For more information about this painting, contact me by clicking here: www.lynngoldstein.com

Friday, February 8, 2013

Symbolic Content of "Treatise"


The entire installation of "Treatise"


I mentioned in my previous post that I would explain all the symbolism inherent in the piece that I made to commemorate the Holocaust The symbolism in the installation is as follows:

Why Books—
Education is an important tenet in the Jewish tradition. Books are also everyday objects that many take for granted. The "everyday" was forever altered for those who were persecuted during the Holocaust. Books also tell stories of people’s lives, so their use is particularly poignant given the lives that were destroyed. The book covers are not damaged, but the interiors of the books are distressed in various ways. The reason behind the decision to maintain the integrity of the book covers is to indicate that we all have stories; these stories are often hidden by the masks that we wear, but often, if one scratches the surface, wounds are apparent. The books are printed in Polish, Russian, German, Italian, French and Yiddish. That choice was an important one because the people tyrannized during the Holocaust were not foreign enemies, but citizens of the very governments that attempted to  annihilate them. The Yiddish book illustrates that the Jewish people were not completely destroyed and that a ray of hope still existed after World War II ended. Twelve books are used to symbolize the twelve tribes of Israel. The Jewish forefather, Jacob, fathered twelve sons and they are the ancestors of the Tribes of Israel.

Why a Tree Image—
Trees are an important symbol in many religious traditions. In Judaism, the tree is referred to as the Tree of Life and is a symbol that sustains and nourishes human beings. The Torah, or Jewish Written Law, is also referred to as the Tree of Life. The tree that I have drawn on the covers of the books is either dead or dormant. Further, the tree image is fractured rather than being solid since it is made up of different pieces. This is to symbolize the lives that were broken. However, there is hope expressed by the sapling that is depicted on the cover of the Yiddish book, which is in the lower right corner of the installation.

Why a Rack—
Again, I endeavored to utilize an object that had the appearance of an item that could be used every day.

Why a Pitcher, Bowl and Towel —
After attending a Jewish funeral and visiting the gravesite, one would not enter the home of the bereaved without rinsing one’s hands. There are those who would believe this practice is a way to banish evil spirits, and there are others who would simply see it as a life-affirming ritual after an encounter with death. The books have pastel on them. Therefore, when handled, pastel will get on viewer's hands. The water in the pitcher is there for visitor's to rinse off the pastel. This symbolizes the fact that if we hurt one another, we are all affected by the pain that is inflicted.

James and I will be installing the piece at the Jewish Community Center of Northern Virginia on February 11 where it will be on view until April 15.

Friday, February 1, 2013

Resistance Through Art #3

"Treatise" almost completed!



The book covers are painted, the interiors distressed, the rack completed, and I just have the final touches to consider before I call the art DONE! I have had this piece on my mind for quite awhile now, so it feels as if I am just about to complete a really good book. I am looking forward to finding out the end of the story, but know that I will miss reading it when I am finished.



The early stages of paint on the book covers
I want to thank everyone who has helped with the process. I could not have done it without each person who offered help. My sister-in-law Kasia contacted a friend of hers in Poland who sent me four novels in Polish. Several students located books in Russian, German and Yiddish for me to utilize. One of my friends who is living in Italy brought books for me from there. As mentioned before, another student, Ken Ferris, offered his marksmanship to shoot the books. The firing range was great for opening up their establishment (Sharpshooters)  for us before normal business hours, so that we could shoot the books, and then didn't charge us for the privilege. My friend, and fellow artist, Crystal Rodrigue, gave me a stool to use for the final touch, which helped keep me from continued obsessing (long story that I will not share for fear of obsessing). And, finally, a gigantic thanks goes to James MacLeod for the terrific rack that he fabricated for me. James is a woodworker extraordinaire!

I have included a couple of  photographs to show the piece almost completed.... I will have one more posting to show the piece installed and to explain the symbolism involved.. Thanks for reading.

The work shown at an angle in order to see the terrific rack made by James MacLeod





Friday, January 18, 2013

Resistance Through Art #2

The exit hole in one of the books that was shot with a German Glock

In my previous post, I showed one of the pieces that I am exhibiting in the Holocaust remembrance show at the Jewish Community Center of Northern Virginia between February 13 and April 15, 2013. I am including 3 pieces of art in this show. The paintings that I am showing are very different from the other piece on which I am working. As a result of a friend's suggestion, I am putting together a series of posts showing the progression of the second piece which is entitled "Treatise."

Painting has always been a large part of my life. I gain comfort from it and express myself using paint. People interact with painting passively. With this piece, however, I wanted observers to interact more actively with the objects on display. Therefore, I moved out of my comfort zone and utilized objects in a way that I had never attempted to do in the past.  This work is meant to move viewers out of their comfort zone as well. As an avid reader, and well aware that education has been an important tenet in Jewish history, books seemed the obvious “canvas” for me to utilize. Books often hold stories of people’s lives and provide us with connection to others. Also, books are everyday objects that many of us take for granted. Therefore, I chose to use books because they are symbolic not only of education, but also of lives that were forever altered by the Holocaust. They are symbolic of the everyday that was taken away from 6,000,000 people.

The books that I am utilizing are foreign language books. I wanted to use books in Russian, German, Polish, Italian and French. When a friend suggested that she would donate a Yiddish book to the cause, I realized what a great idea that was, so I also have a book in Yiddish as well—a  dozen books in all. I received help from several people in getting these books. In fact, the first story is the one expressed by the artwork itself. The second story is the community effort that has taken place in order for the piece to come to fruition.

The books, painted white, as I would like them to be displayed
To start, I painted the covers of the books in preparation for final coats of paint after the interior distressing was completed. I burned the edges of pages of some volumes, ripped interiors of other books and decided that I wanted to shoot a few of the books with a gun. The final insult to the books was the most difficult to pull off. One of my students, a gun enthusiast and a good shot, offered to shoot the books for me. He has a German Glock, so the holes would be authentic.  He met me before work last Wednesday morning in the parking lot of my studio. Imagine my surprise when he opened the door to his truck wearing a surgical mask! I felt as if I was going to the firing range with an antiseptic Freddie Kruger! In fact, I was being protected from a flu bug that had threatened to waylay our mission. The firing range personnel were kind enough to open their doors early for our project. No one was present with us in the firing area, and it was eerily quiet when the gun was not being discharged. The holes appeared almost like drill holes where the bullet entered, but the books were shattered where the bullet exited.  That's it for now... more progress to come....
Various books distressed before adding the final paint on the covers



Monday, December 31, 2012

Resistance Through Art

I was honored to be invited to participate in an exhibition to commemorate the Holocaust that is being presented by The Jewish Community Relations Council of Greater Washington and The Jewish Community Center of Northern Virginia. This exhibition allows participating artists to include two pieces of work. It seemed to make sense to me to incorporate work that is indicative of what I ordinarily do. With that in mind, I am submitting "Veiled in Uncertainty" as one of the two works to be shown. Why this painting ? ... read on....

"Veiled in Uncertainty" —one of two pieces to be exhibited in the Resistance Through Art show
 Many years ago I had a conversation with a colleague who grew up in Finland during World War II. While having a discussion with her pertaining to the Holocaust, she mentioned that her father had hidden Jewish people in the forest near her home to protect them from the Nazis. When I expressed admiration for his bravery, she responded, “What else could he do?” I never forgot this exchange. This painting reflects the image that was seared into my consciousness because of that talk so long ago.

I will be posting information about the other piece that I am including in the exhibition in  upcoming posts. Thanks for reading. 

Saturday, December 15, 2012

The American West — Breathtaking

When I was in my early 20s, I saw a sight that I have never forgotten. While in Florida, walking along the beach at night, I came upon some interesting tracks in the sand. I hadn't seen anything like these tracks before, so I followed them. Finally, I saw the source. There was a Giant Sea Turtle laying her eggs. It was a magical experience, but I had no idea how magical then. When we are young, we tend to take things like this for granted. I reasoned that I would see a turtle laying eggs again in my lifetime—hasn't happened. I take very little for granted now. So, my excitement at seeing the Grand Canyon for the first time was pretty enormous. The first time is always special. My inaugural view of the Canyon was from the air in a small plane. As we soared above this wonder of the world, I kept thinking, WOW that would make a great abstract painting. I am inspired! I am including a photo of the experience.

Sedona is also magnificent. Everywhere we looked was more stunning and astounding. Sadly, the cold was breathtaking too. The wind was whipping as I took photographs, but the sun broke through the clouds to provide us with some gorgeous views.

Monday, September 17, 2012

Perfect Partnership

"I love quotes!" "What do you mean, you love quotes?" Thus began a recent conversation with my husband. I guess he wondered why I made the statement about quotes apropos of nothing. Non sequiturs are common in my conversations. Stream of consciousness is a way of communicating that my husband has had to embrace, but I still surprise him sometimes. A quote found its way into my email inbox recently that resonated: "Respect yourself enough to walk away from anyone or anything that no longer serves you, grows you, or makes you happy."

I consider myself terribly fortunate. I have been working with the same gallery owner for 7 years. My working relationship with Gary Roper, the owner of the Washington Street Gallery, has served me, grown me and made me happy. It doesn't get better than that. I will be having a solo exhibition at his gallery from October 5 until November 28. I have included some of the work (over twenty paintings) that is going to be in the show — enjoy! To see a larger selection of my work, visit my website at: www.lynngoldstein.com

Apres l'Crozon

Calm Before Storm

Dusting

Gotta Fly

Sunday—Northern Neck

Yielding to the Sun #2